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One of the best versions of Alice's Adventures in Wonderland in any language, this translation by the world-renowned author Vladimir Nabokov is beyond doubt the finest Russian translation. It is clear, witty, and wonderfully readable — a perfect book for students learning Russian and for anyone who wants to refresh his knowledge of the language. The translation of Alice has always presented a special problem. The narrative excitement of the child's book and the logical sense and nonsense of the adult's plus the flavor of the English puns and parodies must all be preserved. Famous for his own lucid prose style and his exceptionally clever use of puns, Nabokov handles all aspects of this translation with great skill. His version is not only accurate and faithful in the passages that are susceptible of straight translation, but also delightfully imaginative wherever the English text features a pun, parody, or other linguistic tour de force. First published in Berlin in 1923, this translation was Nabokov's first full-length translation and his first substantial publication of any kind. Since then he has earned an international reputation as a master novelist for his works in Russian and in English.

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Ptolemy's Geography is the only book on cartography to have survived from the classical period and one of the most influential scientific works of all time. Written in the second century AD, for more than fifteen centuries it was the most detailed topography of Europe and Asia available and the best reference on how to gather data and draw maps. Ptolemy championed the use of astronomical observation and applied mathematics in determining geographical locations. But more importantly, he introduced the practice of writing down coordinates of latitude and longitude for every feature drawn on a world map, so that someone else possessing only the text of the Geography could reproduce Ptolemy's map at any time, in whole or in part, at any scale. Here Berggren and Jones render an exemplary translation of the Geography and provide a thorough introduction, which treats the historical and technical background of Ptolemy's work, the contents of the Geography, and the later history of the work.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Libraries N022087 With an initial licence leaf. Titlepage in red and black. London: printed for Joseph Davidson, 1748. viii,556,[8]p.; 8°

Alexander Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies, which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind--a lyric fairytale of despair and transformation. Here, James E. Falen's verse translations are accompanied by a first-rate introduction from Caryl Emerson, an equally distinguished Russianist, which emphasizes the cosmopolitan nature of Pushkin's drama, the position of Russian culture on the European stage, together with excellent analyses of the individual works in the volume. Falen's translations of Pushkin are widely admired and his OWC translation of Eugene Onegin is considered the best available. This collection is sure to interest both casual readers and students of Russian literature.

Alexander Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies, which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind--a lyric fairytale of despair and transformation. Here, James E. Falen's verse translations are accompanied by a first-rate introduction from Caryl Emerson, an equally distinguished Russianist, which emphasizes the cosmopolitan nature of Pushkin's drama, the position of Russian culture on the European stage, together with excellent analyses of the individual works in the volume. Falen's translations of Pushkin are widely admired and his OWC translation of Eugene Onegin is considered the best available. This collection is sure to interest both casual readers and students of Russian literature. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Our approach to SEO is uniquely built around what we know works…and what we know doesn’t work. With over 200 verified factors in play within Google’s search algorithm, most agencies will rely on old tactics that no longer work, or guess with new tactics that they hope will stick.

Ingeniously reset in a tiny imaginary kingdom, this popular tale follows the adventures of a couple of clever con men who come up with an ingenious scheme that fools the emperor and his sycophantic court, and teaches them all a lesson in humility.

The Translator’s Dialogue: Giovanni Pontiero is a tribute to an outstanding translator of literary works from Portuguese, Luso-Brasilian, Italian and Spanish into English. The translator introduced authors such as Carlos Drummond de Andrade, Manuel Bandeira, Clarice Lispector and José Saramago to the English reading world. Pontiero’s essays shed light on the process of literary translation and its impact on cultural perception. This process is exemplified by Pontiero the translator and analyst, some of the authors he collaborated with, publishers’ editors and literary critics and, finally, by an unpublished translation of a short story by José Saramago, Coisas.

As fewer and fewer people learn to read ancient Greek, there is a need for a critical study of the most influential translations that have been made from the major works of ancient Greek literature. Mason’s monograph offers exactly that for readers of the "Iliad" and the "Odyssey." More particularly, he presents a persuasive argument for reading Alexander Pope’s translation, his accompanying notes, and his Essay on Criticism. These merit careful study, for they illuminate Pope’s principles as a translator and constitute one of the most intelligent and penetrating commentaries on the poetic qualities of the epics ever written in English. Mason’s new insights, along with his stringent and lively comments, will bring readers closer to a real understanding of Homer, whether they read him in the original or come to him in translation for the first time. They will also find here a masterly appreciation of Pope.